Literary Passion · Whitby, North Yorkshire

Whitby Abbey (Dracula's landing)

Stoker holidayed beneath the ruined abbey in 1890 and set his Count's landfall here — the black hound leaping ashore, Lucy sleepwalking to the churchyard bench for the novel's most transgressively erotic scenes. Whitby has embraced its gothic seduction ever since.

StatusFact & fiction
DateStoker's visit 1890; novel 1897
The peopleBram Stoker, Lucy Westenra (fictional), Count Dracula (fictional)
The siteWhitby Abbey headland (English Heritage); 199 steps & St Mary's churchyard
Coordinates54.48861, -0.60722 (confidence 5/5)

The story

Bram Stoker holidayed in Whitby in July–August 1890 and took away almost everything he needed for Dracula. In the quayside library he found the name in a footnote to William Wilkinson's book on Wallachia — "Dracula… means Devil" — and abandoned his working title, Count Wampyr. From the coastguards he heard of the wreck of the Russian schooner Dmitry (1885), which became the Demeter; he used the 199 steps, St Mary's churchyard and a headstone name, Swales. The Whitby chapters are the novel's most nakedly sexual: the vampire's night visits to the sleepwalking Lucy Westenra, her transformation into a "voluptuous" creature who must be staked back into purity, and — in Transylvania — the three women whose "deliberate voluptuousness" Harker finds thrilling and repulsive at once. In 1897, a vampire could say what a husband could not. The abbey ruins are managed by English Heritage.

More stories at this spot

The dog on the sand

The single most cinematic image Whitby gave Stoker is real in outline. When the Demeter runs aground, "an immense dog sprang up on deck… and running forward, jumped from the bow on the sand," making for the churchyard steps. Whitby folklore already had a spectral black hound, the Barghest; the Dmitry had carried no dog at all. Stoker simply welded a local ghost story onto a real shipwreck and produced the most famous landing in gothic fiction.

A pilgrimage before Dracula's

Long before Stoker, Whitby Abbey was a place of women and story: it was the abbey of St Hild, where in the seventh century the herdsman Cædmon is said to have been given, in a dream, the gift of English song. Stoker knew the abbey also featured in Scott's Marmion, with its tale of a nun walled up alive. He arrived at a ruin already thick with legends of buried and haunted women, and added one more.

Sources

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